Author branding: A royal undertaking

Henry-VIII-kingofengland_1491-1547As an author of historical fiction who also has a strong background in corporate branding, I've often considered the brands created by historical figures. For centuries, kings and queens had to create their personal brands for some of the same reasons corporations use branding today -- mainly to be memorable and likable by their audiences, and to differentiate themselves from their predecessors or perhaps pretenders to their thrones. Think of Henry VIII, for example. He was not exactly the icon of honesty, charity and good will, was he, now that history has revealed his true nature? But at the time most of the people of England would never meet him, and yet would be called upon to pay taxes and fees, and perhaps support an army going to war. He needed to project an image of strength, devine empowerment, leadership and benevolence. His personal brand, the persona the masses were allowed to know, projected exactly that.

I call that personal branding, even though he was the figurehead of a powerful government much like a corporation. His persona was built around a single person whose actions could make or break the success of the brand.

The basic structure of branding remains much the same between corporate and personal branding. A strong identity is created to represent the business or individual, and to suggest the value in products or activities of that entity. If the entity makes the commitment to that value and consistently delivers it, trust will develop among customers. Over time, the symbol of the brand, or logo, can by itself trigger a feeling of trust. And trust, in turn, generates more business.

But there are also significant differences between corporate and personal branding, especially for an author.

Corporations typically generate many products and may have whole families of brands that fall under one overarching brand, like Microsoft or Kraft. Managers of these brands struggle to create a personal connection with customers in hopes of building brand loyalty, but often fail because of the public's mistrust of corporations. That's why you see them posting in social media alongside other individuals, trying to humanize their organization.

While an author may be generating and selling multiple products similar to a corporation, it is always yourself you are selling. Many readers may try one of your books, and if they like it they will look for anything published in your name to continue reading your voice, your style and your command of storytelling. It is the consistency of quality that will keep them coming back, because they trust that you will deliver, but readers also are attracted to your own values and personality. You can't go around meeting every reader and talking to them about your values, right? So personal branding can help you communicate who you are more broadly and efficiently.

Branding does not mean that you run out and design a logo. Many people like to do this because it seems like the fun, easy part of branding. You can, of course, but in truth your name is your logo, and believe me, good logo design is not easy. A brand does involve imagery, but all the imagery is based on some very serious soul searching and groundwork. Once that is done, the rest falls into place more easily and you do not have to reinvent it every time you need an ad, a poster or a one-sheet. That's where the efficiency comes in.

But first, what is your brand? And who are you?

Many who talk about branding say it is a concise and compelling statement about what you do and how your products are better than any others. And that is one way of doing it. But the strongest and most enduring brands in the world go deeper than that. Their brands are based on values. Instead of telling customers what you do (they already know that), tell them why you do what you do. What drives you? What gets you up in the morning? What is that belief deep in your core that stokes your passion and makes you work so hard? You must find it, and it must be authentic. Write that statement, and from that will flow your mission, your tagline, your colors, your communications plan, your content.

And as I said, it must be authentic. I can't imagine the difficulty for an author to constantly project a persona that is not real, because the truth will show up in your writing anyway. If social media had been around in King Henry's time, no number of portraits, statues or proclamations would have sufficed to maintain his brand against the tweets, instagrams and blog posts that would expose him.

But that's another story!

Today I'm starting a series on royal branding, taking a playful look at some of the kings and queens who created strong personas to support and protect their leadership, and what we can learn from them. More to come!

SharavogueCover2Sharavogue recently won first place for historical fiction in the Florida Writers Association Royal Palm Literary Awards! You can purchase a copy from online booksellers and at the Book Loft on Amelia Island, FL. I will be presenting at the Amelia Island Book Festival Feb. 20-21.

Reviews & book promotion

I am pleased to say the Historical Novel Society review of my novel Sharavogue has now been posted. I am glad to see it after several months of waiting. HNS reviewers can be tough, and do not hold punches if they don't like something, so overall this seems to be a positive review. HNSLondon14-220By the way, HNS has a conference in London first week of September. I won't be able to attend but I am sure it will be a great event.

It is wonderful, of course, to see "nicely written" in the first line of the review. The reviewer goes on to summarize the story, and notes that it moves along at a quick pace, "sometimes too quick." This may be true, I did intend to maintain a momentum, and most of my readers say "I couldn't put it down" -- which is a good thing.

A few other comments about timing and events I believe are subjective, but well taken as I work on the story for the prequel.

So what next? How can I maximize this review? I have shared it on social media. I am one who avoided all but Facebook for a long time because it consumes time that I would rather use in other ways. But it is hard to argue with the reach, if I have no data to actually recognize results in terms of sales. Last week I received a reader review on Amazon. I shared it on FB, and where usually I might get between 15 and 85 views, this one was reshared and drew more than 300 views and several very favorable comments. That was certainly worth the time invested.

My goal as an author is not to sell millions of books, just to sell at least enough to break even and support the next one. But there is no getting around the fact that promotion is hard work, requires constant maintenance, and is at least as much if not more time consuming than writing the actual novel -- and far less rewarding!

In a very interesting post, author Eileen Goudge explains why she left her traditional publisher to pursue self publishing. Initially I felt bad for her because it would mean she would have to take on all the promotional work independent writers and publishers have to handle themselves. But Goudge dispels the myth that traditional publishers offer a marketing budget for your book. Apparently authors are on their own anyway, and then are discarded if their book sales are not stellar. Perhaps she is better off not having to play the game of traditional publishers. I wish her great success!